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Gangs of Wasseypur (Part 1) directed by Anurag Kashyap

00-Gangs-Of-Wasseypur-2012-VMR-Covers-Album-Art Gangs of Wasseypur, for me, is a landmark in Hindi movies. There has been quite a few path breaking movies which have come recently – Taare Zameen Par, Udaan to Dhobi Ghat, Kahaani and Paan Singh Tomar recently, which have slowly started creating a market for movies with strong unique stories. Gangs of Wasseypur will be among the top in this list and will also have a few uniques to its name

I don't recall a Hindi movie that was intended to be produced in two parts from the start, different from a sequel. Which is a gamble. Since if the first half does not catch on, the second one will have no takers. But this confident gamble seems to have worked out for Kashyap and his cast

And another thing about Gangs of Wasseypur is that the whole universe of the movie is in a very believable hellhole of rural India. In the genre of movies dealing with gangs and the underworld, started primarily by Ram Gopal Verma, most have dealt with urban gangs, mostly Mumbai based. The fact that India has a very rich tradition of banditry and mafia culture across its length and breadth has been largely ignored till now except in superficial ways. This criminal culture is heavily intertwined with local politicians and police, to be almost indistinguishable from them. This has usually been shown in a very fantastical light – e.g. Singham, Rajnikant movies etc. These have never really got into the teeth of the matter.

Gangs of Wasseypur completely rips away this curtain of shallowness and presents to us a story which is completely raw and bloody and completely believable. Local mafia in a rural town of India is shown exactly how it is – driven by history, sustained by opportunistic politics, driven to a frenzy by a people who know no other way to survive. The characters are in a world where there is no moral compass of right or wrong. The right or wrong is completely dependent on who is on top and who has the muscle. Might wins at the end, no matter what else you put up at the table. You either fight and hope to win or you are suppressed by a heavier boot everyday. If Paan Singh Tomar was about banditry – outlaws who are forced to take up arms for dignity or revenge, Gangs of Wasseypur is all about the choice of a lifestyle. There is a revenge aspect all right but its mostly about gaining power, money and fame.

There is no sugar coating in the world of Gangs of Wasseypur. You swear, fuck around, kill people with a knife, gun or agangs-houseful bomb depending on the day, intimidate the police, earn a cut from illegal mining and hack bodies. Sometimes all in a single day! And nobody will think of asking for a justification nor will any be offered. Things are right or wrong just because, well, it is and because the guy on top said so.

The rawness of this world is something that is seen to be believed. Many people will be turned away by what they see as  'excessive' violence. I differ. There is no unnecessary violence at all in the movie. Each kill drives the story forward and I didn't find any violence for violence sake. In any case the whole point of Gangs of Wasseypur is that there is a continuous war outside your door. Do you sit back or dream or do you kill to love yourself? For those who like sanitized violence, watch the highly stylized violence of Singham. Gangs of Wasseypur is real. Deal with it

What increases the realism is the fact that real stories make up the Gangs of Wasseypur storyline – stylized and adapted for the screen. So you know right from the time that they show the history of Wasseypur (from 1941), you are dealing with real stuff. And talking of realism, the acting is something that needs to be seen to be believed. There are no ‘extras’ in this movie. Each character has a role to play, a story to tell of their own. Each in its own way takes the story forward. Manoj Bajpayee, the central character in this first part, shines as the complex gangster who kills to save a 335437-interview-with-zeishan-quadri-writer-of-gangs-of-wasseypurwoman’s modesty and sleeps around blatantly cheating on his wife, at the same time. The galaxy of talented stars around him – Nawazuddin Siddiqui, Jaideep Ahlawat, Tigmanshu Dhulia, Reemma Sen, Richa Chadda, Huma Qureshi are all deliciously rural Bihar – sing song dialect with the choicest swearwords, homemade revolvers and all. They get completely  into the story. Not for the characters of Gangs of Wasseypur the superficiality of mere rural clothes over urban behavior. These guys walk, talk and fuck like guys in Gangs of Wasseypur should!!

A special note about the music. Sneha Khanwalkar is truly a force of nature when it comes to extracting music from noise and creating amazing sounds. In Gangs of Wasseypur, she has created some ground-breaking music. Music created from emigrant history and localized, the music is something of a revelation. Listening to them separately, the music of this movie is a collector’s item in itself

Gangs of Wasseypur brings something quite different to cinema. All I can say is that I cant wait for Part II. This review will be complete only then

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