We need to talk about Kevin
Drama, English Movies

We need to talk about Kevin directed by Lynne Ramsay

We-Need-to-Talk-About-Kevin "We need to talk about Kevin" is a film you wont forget in a hurry…the theme and the mood that the film creates will ensure this

This is one film that is truly difficult to review. It cannot be easily bracketed. What makes this even more difficult is that its in the form of a narrative where the narrator herself does not quite seem 'balanced'. The movie is adapted from the novel by the same name by Lionel Shriver

If I have to best describe it, "We need to talk about Kevin" is a horror film in the most terrifying sense. It turns what we consider our safe haven – the family, the home, the child and parents into an universe where horror can happen almost casually and naturally. And its not the horror of a ghost or a supernatural being or something not of this world but the horror which is completely human.

What if your child is destined to kill when he grows up and somehow, in some chilling way, you had an inkling of this ever since he was born?

Eva (Tilda Swinton ) is the mother of Kevin. The film opens with Eva living in a rundown house, with a host of neighbours who hate the sight of her. Her house and car is defaced with paint and graffiti. Eva seems neurotically nervous andwe_need_to_talk_about_kevin-large jumpy. And right from the start we know that something has gone terribly wrong with her life.

That is the life we are slowly shown – in carefully crafted flashbacks. From her wooing by Franklin (John C Reilly) to her wedding, it seems like a fairytale. Then Kevin is born and things slowly change, irrevocably. Right from the start Kevin seems to be at war with his mother – almost willfully playing mind games with her at an age when he had not even learned to walk on fours. And believe me, the child Kevin can be quite frightening. The father is always blind to Eva's pleas and explanations – dismissing them as something that exists inside her mind only. And Kevin, right until the end, acts absolutely 'normal' with the father, who until the very end continues to treat everything as normal. Eva, it would seem is the only one, to whom Kevin shows his true self.

The film switches between the present and the past, both of them slowly coming closer. You slowly get an inkling as to what may have happened. Of course nothing quite prepares you for what actually happens…

Eva seems to have become permanently imbalanced but continues to try and find a way to come to terms with 'normal' life. Once a successful travel writer, she takes work in a small travel agency and drives home alone to her ramshackle We-Need-to-Talk-About-Kev-007 house. She becomes so used to people hating her that small kindness or a friendly word seems to actually rattle her. One can literally feel the nightmarish world her life is. And yet she hangs on to life and whatever sanity she has left. And you wonder what she is hanging on for…

And as the film progresses we see that she visits Kevin, who is now in prison. And until the very final scene, they sit opposite each other without talking, without speaking one word, not even looking at each other properly.

What is so powerful about the film is that dialogues are sparse. The rest is filled with imagery and music and noise. The imagery used is probably one of the best ever created in cinema.The opening scene is of Eva soaked in red tomato juice in Tomatina festival followed by a white satin curtain blowing in the wind across a open garden door, the significance of which we get at the very end. The music is eerie and beautiful with a tinge of horror at the edges. The song – "Everyday" originally sung by Buddy Holly, one of my favourites, is played back in a slow moving, eerily shot Halloween backdrop, while Eva is driving home. It has altered the song for me forever. The noise and the silence used in this film is used like a sharp weapon – the scene of Eva drowning out baby Kevin's cries with the noise of a drilling site is a scene that will haunt.

Combine this with the haunting presence of Tilda Swinton and an atmosphere of impending disaster throughout. "We need to talk about Kevin" will keep coming at you long after its over…

In the end, a note regarding the imagery again. A lot of this movie is perception. Its about how you want to interpret it. Eva is seen scrubbing off the graffiti and the paint off her door and window throughout the movie, slowly, painfully butWeNeedtoTalkAboutKevinTomatina she keeps at it. And just before her final meeting with Kevin in the film she completes the process. Her door and window is clean again.

 

In the prison, at their final meeting, Eva asked Kevin the simple question – why?. What Kevin says is probably the most chilling yet pitiful part of the whole film. It leaves you unsure of how it goes forward for these two. Eva walks off into the bright white light, ending the film that had started with bright red. Was there redemption? For whom? Was it even possible…

 

You feel a strange pain in your heart as the movie draws to a close. There is a strange sense of closure yet non-closure at the end and it tugs at you.

This is one film that you will think of often and you would think of Kevin and of Eva too…

P.S – A note about Oscars. You see this and you see why Oscar is losing its relevance year after year. A movie like this is not even a contender for many major awards and wins nothing. Truly remarkable!!!

 

 

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The man from earth jerome bixby
English Movies, Science Fiction

The Man from Earth directed by Richard Schenkman

220px-The_Man_from_Earth "The Man from Earth", has become a cult classic, for primarily one single reason

In an age when films and television seek to hold our, supposedly ever shortening, attention-span with ever more doses of action and shocks and thrills, "The Man from Earth" succeeds in holding our completely rapt attention with something which is supposedly, utterly, out of fashion – conversation.

Also, this film became a classic not with any production house backing but by the most democratic popularity of all – word of mouth. In fact, in an extraordinary move, its producers have publicly thanked P2P networks for making this film a success

If someone told you that a whole film can be confined to just one room, having a handful of characters sitting and talking for  the whole length of the movie, you might wonder who in their right sense would make a movie like this in this day and age, much less see it. "Who is afraid of Virginia Woolf?" was a fluke, you may say…

It is here that your intuition might fail you. Because this will be perhaps one of the best movies that you will ever see. Not only will you be held in a complete grip throughout but at the end, you might realize that the best thrills that we get are not from high speed chases or a jump from a skyscraper, but from stimulating ideas – ideas that completely challenge what you think. Ideas, when presented by a skilled scriptwriter, can completely bowl you away. For don't be fooled, "The Man from Earth" is a roller coaster ride, from the starting scene to the end

Conceived originally in early 1960s by Jerome Bixby, of the Star Trek (original) fame and one of the best science fiction writers of all times, "The Man from Earth" was completed on his deathbed in 1998, making this his final work. Fans of science fiction will instantly recognize the imprint of the golden era of science fiction – which depended more on mind expanding ideas rather than on exotic unrelatable visuals

John Oldman is a departing university professor, who is thrown a farewell party by a handful of his colleagues, at his house. The departure is sudden and Oldman's colleagues want to know why he is in such a hurry to leave. Oldman isman from earth group reluctant but under pressure, he begins to tell his extraordinary story. He begins by asking his colleagues to suppose a hypothetical situation, a possibility – what if a Cro-Magnon man survived to this day, thus living for 14000 years!!! That's the spark that sets this film alight.

Among Oldman's colleagues is an archaeologist, a biologist, an art historian and a devout Christian and a psychiatrist. When such a pantheon of minds is confronted with a fantastic idea as agelessness, the setting is perfect for a firefight – of words. And it does not disappoint. Each person has his own unique take on the situation and everyone fights a duel between believing this fantastic possibility and their own prejudices and beliefs. Its extraordinarily stimulating to hear  the ideas that come forth. Everything is challenged – from history and the way we look at it, religion and what we believe, our ideas about our minds, our deep seated cultural beliefs. And tightly packed into ninety odd minutes, this is one long conversation that you wish will never end!! It is like a concoction of a high caffeine mixed with mind expanding drugs…

Slowly the utter shock at the onset is replaced by credulity followed by a grudging wonderment of the possibility. And then of course there is the dynamite climax. A climax that is as shattering as any Dan Brown could have dreamt of. And 2409_5 the way that this happens keeps you on the tenterhooks throughout. The script and the pace never slackens and as you are slowly drawn into the absorbing setting inside Oldman's house, the mood changes subtly as revelations and possibilities become even more fantastic and real at the same time.

Daylight is slowly replaced by flickering fireplace as the people inside the room face a life-changing dilemma – to overturn everything that they had believed in – about history, religion, beliefs, culture or to try and find a way to believe the whole story to be untrue. The struggle between letting the mind expand and staying within the comfort zone of common wisdom becomes fierce as the film rushes to the end.

This is one film that will make you hold your breath till the end by just talking to you.

Watch this!! That's the only thing I can say – you wont be disappointed even if your favourite movie till yesterday has been American Pie!!

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